An Invitation to Something Rare

A Rare Collection A Lasting Legacy

Discover over 2,000 works of Black art and cultural history, built over decades and now available for exhibition, institutional partnership, and acquisition.

Curated works spanning generations,
continents, and untold stories.

The Collection
"Art is how we remember. Culture is what we pass on."

My father, Keith "Poppy" Williams (1941–2010), spent 23 years quietly building an extraordinary collection of more than 2,000 pieces of Black art, cultural artifacts, historical documents, and memorabilia gathered during his tenure as International Treasurer for Levi Strauss & Co., traveling across Europe, Asia, Africa, and beyond.

Now stewarded by his daughter, the collection is being made available to collectors, institutions, and the public in new ways that honor a legacy built piece by piece, decade by decade.

This is not a gallery. It is not a shop. It is a living archive, and you are invited in.

Visit the full archive →
2,000+

Works of art and artifacts spanning over a century of Black history and culture

100+

Educational institutions, museums, and cultural partners shaping the ecosystem we are building

50,000

Young people, ages 15–25, we aim to engage and inspire over the next three years

Four Ways to Partner

Four ways to engage
with the collection

01

Exhibition

Present museum quality works through curated exhibitions and installations.

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02

Partnership

Work with us on educational, cultural, and institutional initiatives. Students engage with actual objects as academic entry points into history, culture, and lived experience.

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03

Acquisition

Place original works within private, corporate, and institutional collections.

Explore →
04

Prints

Access the collection through carefully produced prints, making these works available to a wider audience.

Discover →
15 Pieces Selected for Founders' Favorites

The Collection

Black Excellence & Cultural Achievement

Oil Painting — Louis Armstrong, "The Statesman"
Piece 01

Oil Painting — Louis Armstrong, "The Statesman"

PAINTINGS · ARTIST: BRUNI

"My father believed Armstrong represented what Black excellence looks like when the world finally pays attention. This was always one of his centerpieces."

Oil Painting on Canvas — Betty Carter
Piece 02

Oil Painting on Canvas — Betty Carter

PAINTINGS

"He loved artists who refused to compromise their artistry. Betty Carter was exactly that — brilliant and underrepresented."

Original Poster — Katherine Dunham
Piece 03

Original Poster — Katherine Dunham

VINTAGE POSTER

"Dunham was a dancer AND an anthropologist who built bridges between Africa and Black America. My father saw himself in that mission of connection."

Black Musician Playing Saxophone
Piece 04

Black Musician Playing Saxophone

PAINTINGS · ARTIST: LUCY CAMPBELL

"Music is the through-line of Black cultural expression. He collected musicians because their stories were inseparable from the history of Black survival and joy."

Black Boy Playing Guitar
Piece 05

Black Boy Playing Guitar

PAINTINGS

"This is the piece I always come back to. A young Black child, music, joy — this is who we are doing all of this for."

Pan-African Studies & Diaspora

Two Black Men Under a Tree
Piece 06

Two Black Men Under a Tree

PAINTINGS · ARTIST: BOYMOLEFE (SOUTH AFRICA)

"A South African artist. My father traveled the world for Levi's and collected intentionally across the diaspora — this piece is proof of that global vision."

"Essence Taste of Africa"
Piece 07

"Essence Taste of Africa"

PAINTINGS · ARTIST: PATRICK MCNURNEY

"This one represented pure, uncomplicated pride in African identity to him. He made sure it had a place in the collection."

"The Sisters" — Three Women
Piece 08

"The Sisters" — Three Women

PAINTINGS · ARTIST: J. DUNNEST

"Black women, community, tribal styling — he saw this as a portrait of strength and shared purpose across cultures and generations."

American History & Critical Race Studies

Emancipation Proclamation, September 22, 1862
Piece 09

Emancipation Proclamation, September 22, 1862

HISTORICAL DOCUMENT

"My father kept historical documents because he believed you cannot understand where you are going if you don't know what was survived to get here."

The Darktown Fire Brigade — "To The Rescue"
Piece 10

The Darktown Fire Brigade — "To The Rescue"

PRINTS · CURRIER & IVES / JOSEPH KOEHLER, NEW YORK

"This is one of the hardest pieces to look at. He kept it because he felt young people deserve to know this is what mainstream American art looked like."

Aunt Jemima & Uncle Mose Salt Shakers
Piece 11

Aunt Jemima & Uncle Mose Salt Shakers

FIGURINES · DOMESTIC ARTIFACTS

"These sat in millions of American kitchens. He wanted people to see how racial mockery was normalized through objects people didn't even think to question."

Material Culture & Everyday Life

Original Art Tapestry — Cassandra Wilson
Piece 12

Original Art Tapestry — Cassandra Wilson

PAINTINGS · ARTIST: KAREN WILSON

"Original art. A living legend rendered by a dedicated artist. Black womanhood and jazz in a single expressive frame — this piece vibrates with presence."

Legacy & Intergenerational Memory

Two Generations
Piece 13

Two Generations

PAINTINGS · ARTIST: J.

"Family. Continuity. Before my father passed, he told us he wanted his collection to keep teaching. This piece is that wish made visible."

Eubie Blake
Piece 14

Eubie Blake

DRAWING · ARTIST: DAVID HODGE

"Blake bridged ragtime to Broadway and lived to 96 — a life that touched nearly every era of Black musical history."

Black Banjo Player — Movable Figurine
Piece 15

Black Banjo Player — Movable Figurine

FIGURINES · MADE IN ENGLAND

"The tension between the music and the mockery is exactly what needs to be taught."

The Opportunity

It is access to something rare. A privately held collection of over 2,000 works spanning 100 years of Black history. Assembled by a Harvard-educated global executive who cared more about legacy than recognition.

"This collection was built to be shared. We invite you to collaborate with Poppy's Collection to expand access, support learning, and preserve this history for generations to come."

Get Early Access

Be the first to see newly released works, exhibitions, and print drops. The collection moves quietly. This is how you stay close to it.